5032 Spliced Cinques and Maximus (5m)

5032 5-Spliced Cinques and Maximus
Composed by Mark R Eccleston
1234567890ET M H 1 2 3 9 10 18 Methods  
213547698E0T T (1) CinquesA
3241657890ET a SQ.SQ.SQS.QS.QSQSQSQSQSQSQS.QS.QSQ.SQSQ.  
154263 c S.QSQSQS.QS.Q.SQSQSQ.SQ.SQSQ  
123465 b z BBB.RRRRRRRRRRR. (8,6)
12346587 d S.QSQSQSQSQ.SQS.QS.QSQSQSQ.   CinquesB
1243658709 SQSQSQSQS.Q.SQSQSQSQ.SQSQ  
132465 b A. (1)
134265 e S.QSQSQSQS.Q.SQSQSQSQ.SQSQ   CinquesC
1253748690 f S.QS.QSQSQSQSQ.SQSQSQ.S.QSQ  
134275869E0T g S.QSQSQSQS.Q.S.QSQSQSQS.Q.SQ  
3152E476098T h S.Q.SQ.SQSQSQSQSQSQ.S.QS.QSQ  
4251E376980T i SQ.SQSQS.QSQ.SQSQS.Q.SQ.SQSQ  
1543E2 j SQSQSQ.SQS.QSQSQSQ.SQS.QSQ  
1534627890ET k S.QSQSQSQS.Q.SQS.QSQSQ.SQSQ  
145362 b RBR. (3)
15647382 l RRR.A.AAAAAAAAAAA.A.BBA  
14325678 m S.QSQSQ.SQS.QS.QSQ.SQ.S.Q.S.Q   CinquesD
132456 bb A.RBR. (1,3)
908E6745231T n S.Q.SQ.SQ.SQ.S.Q.S.Q.S.Q   CinquesE
35179E24680T o SQSQSQS.QSQ.SQS.Q.SQS.QSQS.Q.SQSQ.  
97E531 p S.QSQS.QSQS.Q.S.QSQSQSQS.Q.SQ  
5462731890ET S.Q.S.Q (4)
32415768E90T r S.QSQS.QS.QSQSQSQSQ.S.Q.SQSQ  
32416587 t SQSQ.SQS.Q.S.Q.SQ.S.QSQSQSQ  
234561879E u SQSQSQ.S.QSQ.SQSQSQSQS.QSQ  
125347698 v SQ.SQ.SQ.SQS.QS.Q.  
1243658709TE b A.BBBBBBBBBB(B) (1,4,7)
Stedman calls; b = 14 Bob; z = 1234 Single; q = 16 Bob.

a = 2.4.7.9.s13.s15.18.22 (10,22)
c = s1.7.9.10.s16.s18
d = 1.s10.s13.s15.22
e = s1.9.10.18
f = s1.s3.12.18.19
g = 1.s9.10.11.19.20
h = 1.s2.4.16.17.s19
i = 2.7.s10.15.16.s18
j = 6.s9.s16.19
k = 1.9.10.13.18
l = bB.qV.bF.bI (8,11)
m = 1.s6.s9.11.14.s16.17-19 (20)
n = 1.2.4.s6.8-13 (14)
o = s7.10.13.14.s17.s21.22.26 (26)
p = s1.s5.9.10.s11.19.20
r = 1.s5.7.16-18
t = 4.s7.8-10.12.13 (20)
u = 6.7.s10.19
v = 2.4.6.9.11.12 (12)
12 56s (0f,12b), 5 65s (0f,5b), 299 4-bell runs (138f,161b), Queens, Tittums, Single Whittingtons, Double Whittingtons, Kings, Backrounds, 120 TEs at back.
Blue Line
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
5
Changes of method
20
Stage
Maximus
True rows
5032
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
5
   1234 LE Single (z)
1
   14 LE Bob (b)
9
   16 LE Bob (q)
1
   90ET SE Single (s)
31
   9T SE Bob (–)
87