5040 Spliced Delight Minor (42m)

Layout
5040 42-Spliced Delight Minor Op. 3D0706
Composed by John S Warboys
23456 1 2 3 4 5 Methods  
34562 – – Ba.EyEyBaBl. (1,4) A
53624 – – Bl.CgCgPeCg. (1,4)
34256 – 2 BlBl.FgCsBl.PeSkBl. (2,3,3)
23456 2A  
42635 2 – DoFrDn.EyWlEy.BgDnRsEy. (3,3,4) B
42356 – KnDn. (2)
34256 B  
23645 2 – DoFrDn.EyWlEy.BgDnRsEy. (3,3,4)
32564 s – KnDn.CxSgBn. (2,3)
45263 – – CcPv.BnSgCx. (2,3)
24563 – PvPvCxSgBn. (2,3)
35462 – – CcLe.BnSgCx. (2,3)
43562 – LeMdCxSgBn. (2,3)
25364 – – CcMd.BnSgCx. (2,3)
32456 BtBt (2)
64253 – – CyPoWw.BhEdOsEd. (3,4) C
24356 – ByBh.CzWw (2,2)
24635 – – WtLu.KhCkDtCz. (2,4)
24356 – LuPmBy.  
43256 C  
62354 – – CyPoWw.BhEdOsEd. (3,4)
32456 – ByBh.CzWw (2,2)
32645 – – WtLu.KhCkDtCz. (2,4)
23456 s LuPmBy.  
23564 – CnCn. (2)
34562 – – Di.DiRiCvCn. (1,4)
25634 – – Di.DiRiCvCnDi. (1,5)
54632 – – Di.RiCvCnDi. (1,4)
35426 – – Di.CnCnDiEsDi. (1,5)
23456 – RiCvCn.DiEsDi  
Contains 432 Belvoir (Bl); 360 Ely (Ey); 288 Disley; 216 Cambridge (Cg), Dunedin (Dn); 192 Conisborough (Cn); 144 Balmoral, Barham (Bh), Berkeley (By), Bucknall (Bn), Caernarvon (Cz), Castleton (Cx), Edinburgh, Ludlow, Pevensey, Stirling (Sg), Warwick (Ww); 96 Coventry (Cv), Richborough; 72 Bogedone (Bg), Carisbrooke (Ck), Chelsea (Cc), Chepstow (Cs), Conway (Cy), Donottar (Dt), Dover, Fotheringay (Fg), Francis Genius, Kentish (Kh), Knutsford, Oswald, Pembroke (Pm), Peveril (Pv), Pontefract, Rostherne (Rs), Skipton, Wath (Wt), Wilmslow (Wl); 48 Beeston (Bt), Evening Star (Es), Leasowe, Melandra (Md); 189 com.
7 Queens, 7 Tittums, 7 Kings/Whittingtons, 7 Backrounds.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
42
Changes of method
189
Stage
Minor
True rows
5040
False rows
0
Complete extents
7
Partial extents
0
Applicable leadhead codes
Date composed
Default calls
Near
Types of call
2
   1234 LE Single (s)
2
   14 LE Bob (–)
68
Performances