716 30-Spliced Minor

716 30-Spliced Minor
Composed by Harold Chant
23456 1 2 4 Methods  
34256 a ChBuBwPoCa.CrCrCr.Ba.BaBaBaBa.Ba.Mi  
53246 b IvCeAlLa.ChFrRaAdCh.Hi.Ba.An  
23546 c DaKeElCh.ThSuAmFiPo.BaWaBa.Ba.BaHi  
42536 2 Co.Ba.CoHiBa.Cr (3,3)
23456 s Cr.TaDeHaPoUn. (2,4)
Far calls.

a = s5.8.9.13.s14 (15)
b = 4.s5.6.s7 (4,8)
c = 4.s5.8.9 (4,11)
Queens, Tittums, Kings/Whittingtons, Backrounds, 10 65s at back.
Blue Line
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
30
Changes of method
43
Stage
Minor
True rows
716
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Far
Types of call
2
   14 LE Bob (–)
12
   1456 LE Single (s)
6
Date Type Details