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Oxney Surprise Major
Blue Line
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Properties
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Changes
Adjacent
Identity
Jump
Static
Dynamic
Cross
Pure
Penultimate
Touching Places
Hunt bells
Principle
Hunter
One
Multiple
All
Working bell cycles
Monocyclic
Isocyclic
Differential
Hunter classes
Plain
Place
Bob
Single
Alliance
Treble Place
Treble Dodging
Treble Bob
Delight
Surprise
Hybrid
Little
Symmetry
Asymmetric
Palindromic
Double
Rotational
Offset
Leadheads
Plain Bob
Grandsire
Original
Cyclic
Rounds
Course properties
True plain course
True leads
Right place
Uneven parity
Layered
Place notation
-36-14-1258-1236-14-1258-36-78,12
Leadhead
b 15738264
Divisions
None
Default calls
Near
Method above
Superlative Surprise Major
Method below
Oxney Surprise Major
FCH Groups
Ed
Accepted extension path
Compositions designed for this method
5
Leads in course
7
Lead length
32
Plain course length
224
Hunt bells
1
Working bells
7
Stationary bells
0
Maximum blows in one place
2
Music score (default scheme)
♫ 55
Performances
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Date
Type
Details
Sat 16 Jul 1938
First inclusion in a peal on towerbells
5040 Spliced Minor (84m) by the Chester Diocesan Guild at St Mary the Virgin, Disley, Cheshire, conducted by C Kenneth Lewis
Mon 16 Sept 1963
First peal on towerbells
Oxney Surprise Major at Bellfoundry, Loughborough by the Leicester Diocesan Guild at Bellfoundry, Loughborough
Wed 4 May 1977
First inclusion in a peal on handbells
5056 Spliced Surprise Major (75m) by the Lancashire Association at 131 Shawclough Way, Rochdale, Lancashire, conducted by Marcus C W Sherwood
Sat 15 Jun 2002
LongLength on towerbells
15008 Spliced Surprise Major (67m) by the Ancient Society of College Youths at St Thomas the Martyr, Oxford, Oxfordshire, conducted by Simon J L Linford
Fri 28 Oct 2005
LongLength on towerbells
22400 Spliced Surprise Major (100m) by the Ancient Society of College Youths at Bell Foundry Campanile, Loughborough, Leicestershire, conducted by Simon J L Linford
Thu 30 Sept 2021
First quarter peal on keyboards
1280 Oxney Surprise Major by the The Bellerophons at Ringing Room, UK, conducted by Richard A Wolfgang (Eastwood)
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