5152 Don't Leave Me This Way Delight Major

Layout
5152 Don't Leave Me This Way Delight Major
Composed by Robert D S Brown
2345678 B M W F I H
2347568 [3]1 [3]1 – 2
4263578 – – [ss]2
(3527648) – [–
3527648 ss
4235678 – –]1 –
3 part.
1 Include in part 1.
2 Include in part 3.
80 crus (32f,48b), 36 5678s (18f,18b), 12 6578s (6f,6b), 176 4-bell runs (88f,88b), 480 5678 combinations (240f,240b), 36 8765s (18f,18b), Queens, Backrounds, 16 87s at back.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
3
Number of methods
1
Changes of method
0
Stage
Major
True rows
5152
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
b
Date composed
Default calls
Near
Types of call
2
   1234 LE Single (s)
4
   14 LE Bob (–)
30
Performances
Date Type Details