5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 4 (Variation 13)
Composed by Michael J Uphill
2314567890E 1 2 4 6 7 12 13 15 17 19 24  
21345678E90 – s –  
314256 – 2  
312456 s 2  
213654 – –  
2143568709E a  
413256 – 2  
412356 s 2  
213456 – 2  
4132658790E b  
31246587E90 – – 2  
314265 s 2  
412365 – 2  
13579E24680 – – – (24)
2134657890E c  
31426578E90 – – 2  
312465 s 2  
213564 – –  
21436587 d  
2153648709E – s s  
1253048E697 s – –  
2134658709E e  
314265 – 2  
312465 s 2  
2143658709E – 2  

a = 2.s13.s15.19
b = s1.5.s8.10.11.13.s15.16 (20)
c = 1.3.s7.10.11.s13.16.s18.20 (20)
d = s2.s13.s15.19
e = s7.12.13.19.19
11 56s (0f,11b), 12 65s (0f,12b), 81 4-bell runs (13f,68b), Queens.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
66
   90E SE Single (s)
21
Performances