5200 Superlative Surprise Major

Layout
5200 Superlative Surprise Major Op. 2699
Composed by Richard I Allton
(85736142) 1 B M W F H  
13564278 z – s (3)
43652 –  
63254 – 3  
53426 – s  
35264 – s (4)
54362 – ––s (4,7,7,7)
24365 s  
54263 – – (4,7)
45263 ss –s  
32564 s s  
63524 –  
43625 – – (4,7)
62534 – s–  
42635 2  
23456 – (4)
z = 3456 Special Single; Start with rounds as the 17th row of the lead.
Not atw.
106 crus (38f,68b), 22 5678s (8f,14b), 12 6578s (4f,8b), 177 4-bell runs (85f,92b), 296 5678 combinations (146f,150b), 22 8765s (10f,12b), Queens, Backrounds.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Major
True rows
5200
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
b
Date composed
Default calls
Near
Types of call
3
   1234 LE Single (s)
11
   14 LE Bob (–)
22
   3456 Special Single (z)
1
Performances