5050 Stedman Cinques

Layout
5050 Stedman Cinques
Composed by Mark R Eccleston
2314567890E 1 3 6 7 8 9 12 13 16 18 21
21435678E90 a
132456 s – A
341256 s –
423156 s –
241356 s s –
123456 A
12345679E80 s –
123456E97 – s
1234658709E b
2413058E697 c B
2413658709E – –
4321058E697 c
4321658709E – –
3142058E697 c
3142658709E – –
1234058E697 c
1324658790E d
(13246587E90) –
21436587E90 A
1324658709E e
214365 B
123465E7908 f
314265 A
132465 s s –
341265 s –
423165 s –
325164 –
(3124567890E) g

a = s1.4.s7.8.10.12.s15.16.19.21.s23.27 (28)
b = 1-3.s8.s10.s12.21
c = 12.13.s16.18
d = 3.4.s10.s13.17
e = 2.15.16.18
f = 1.2.s7.s9.18
g = s5.6.s13.14.15.18
23 56s (0f,23b), 140 4-bell runs (27f,113b), Single Whittingtons.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5050
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
79
   90E SE Single (s)
40
Performances