23456 | B | M | W | H |
---|---|---|---|---|
42356 | – | |||
54326 | – | |||
52643 | x | 2 | – | |
24365 | – | 2 | ||
53462 | – | – | ||
65432 | – | |||
23456 | – | – | – |
Pair | 1-2 | 3-4 | 5-6 | 7-8 | 9-10 | 11-12 |
---|---|---|---|---|---|---|
1-2 | 105 (100%) | – | – | – | – | – |
3-4 | – | 45 (43%) | 10 (10%) | – | 22 (21%) | 28 (27%) |
5-6 | – | 20 (19%) | 32 (30%) | – | 27 (26%) | 26 (25%) |
7-8 | – | – | – | 105 (100%) | – | – |
9-0 | – | – | – | – | 105 (100%) | – |
E-T | – | – | – | – | – | 105 (100%) |
Similarity | Related Composition |
---|---|
Reversed and transposed calling | 5040 Yorkshire Surprise Maximus Op. 262 by Richard J Angrave |
Reversed and transposed calling | 5040 Yorkshire Surprise Maximus by Robert W Lee and Mark B Davies |
Date | Type | Details |
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