5028 Stedman Caters

Layout
5028 Stedman Caters
Composed by Mark R Eccleston
231456789 6 8 16
342156978 a A
413256 – s –
124356 – s –
231456 – s –
231465 b
124365 3c
231457698 d
213465789 e
142365 – s –
431265 – s –
324165 – s –
213465879 f
213498765 g
142365879 h
142398765 g
431265879 h
431298765 g
124397568 i
413297 3j
213654987 k
975312468 l
213456789 m
413298765 A
125364789 n
342516978 o
125397468 p
(231456789) q

a = 1.6.s8.16
b = 1-3.s4.6.7.15.16 (16)
c = 6.8.s10.16.18
d = 6.s8.10.s12.16
e = 2.3.s8.9.10.12.15.18.19.s22 (24)
f = 6.s8.s12.16
g = 3-13 (14)
h = s1.2-4.6-8.10.11.13 (16)
i = 2.5.s8.9.10.s16.17.18
j = 6.8.16.s18
k = 2.4.5.8.9.s11.13.15-18
l = 2-9.11.12.s14.15.s16.17.s18
m = s2.3.5-10 (10)
n = s1.2-4.6-8.s11.s13.14 (16)
o = 1.4.6.7.s9.10.12 (16)
p = 4.6.8-10 (10)
q = 5.s9.s11.12-17
24 56s (0f,24b), 24 65s (0f,24b), 144 4-bell runs (48f,96b), Queens, Tittums, Whittingtons, Rollercoaster, Reverse Waterfall, Kings, Backrounds.
Blue Line
Music Score = 508
Musical combination Front Internal Back Count Score
56s & 65s 0 0 48 48 48
56s 0 0 24 24 24.00
65s 0 0 24 24 24.00
4-bell runs 48 150 96 294 144
1234s 12 8 0 20 12.00
2345s 6 18 0 24 6.00
3456s 3 16 3 22 6.00
4321s 13 12 3 28 16.00
4567s 1 14 6 21 7.00
5432s 5 24 3 32 8.00
5678s 0 24 0 24 0.00
6543s 3 8 9 20 12.00
6789s 2 1 30 33 32.00
7654s 0 5 0 5 0.00
8765s 1 2 42 45 43.00
9876s 2 18 0 20 2.00
5-bell runs 11 38 48 97 59
12345s 6 4 0 10 6.00
23456s 0 7 0 7 0.00
34567s 0 4 3 7 3.00
45678s 0 6 0 6 0.00
54321s 0 6 3 9 3.00
56789s 0 0 24 24 24.00
65432s 2 6 0 8 2.00
76543s 0 3 0 3 0.00
87654s 1 2 0 3 1.00
98765s 2 0 18 20 20.00
6-bell runs 9 9 12 30 21
123456s 4 1 0 5 4.00
234567s 0 2 3 5 3.00
345678s 0 2 0 2 0.00
456789s 0 0 6 6 6.00
654321s 2 1 3 6 5.00
765432s 0 2 0 2 0.00
876543s 1 1 0 2 1.00
987654s 2 0 0 2 2.00
7-bell runs 4 3 4 11 8
1234567s 2 0 1 3 3.00
2345678s 0 1 0 1 0.00
3456789s 0 0 2 2 2.00
7654321s 0 1 1 2 1.00
8765432s 1 1 0 2 1.00
9876543s 1 0 0 1 1.00
8-bell runs 3 0 2 5 5
12345678s 1 0 0 1 1.00
23456789s 0 0 1 1 1.00
87654321s 1 0 1 2 2.00
98765432s 1 0 0 1 1.00
Near misses       8 8
123456798 (near miss)       1 1.00
123456879 (near miss)       1 1.00
123457689 (near miss)       1 1.00
123465789 (near miss)       1 1.00
123546789 (near miss)       1 1.00
124356789 (near miss)       1 1.00
132456789 (near miss)       1 1.00
213456789 (near miss)       1 1.00
Combinations from named rows       204 204
468s (from Queens)       90 90.00
987s (from Rollercoaster)       9 9.00
2468s (from Queens)       24 24.00
8495s (from Tittums)       6 6.00
97568s (from Whittingtons)       12 12.00
xxx7x8x9x (from Tittums)       63 63.00
Named Rows       11 11
123456789 (Rounds)       1 1.00
128634975 (Heywood's)       0 0.00
132547698 (Priory/The Intermediate)       1 1.00
135729468 (Princesses)       0 0.00
135792468 (Queens)       1 1.00
153974286 (Kennet)       1 1.00
162738495 (Tittums)       1 1.00
186429753 (Yeovil Octaves)       0 0.00
187529643 (Hereford Octaves)       0 0.00
187529643 (The Octaves)       0 0.00
189674523 (Jacks)       0 0.00
198765432 (Jokers)       0 0.00
312458679 (Burdette)       0 0.00
312497568 (Whittingtons)       1 1.00
321654987 (Rollercoaster)       1 1.00
543216789 (See-saw)       0 0.00
564738291 (Exploded Tittums)       1 1.00
654321789 (Reverse Waterfall)       1 1.00
975312468 (Kings)       1 1.00
975321468 (Princes)       0 0.00
987123456 (Waterfall)       0 0.00
987654321 (Backrounds)       1 1.00
Handbell Positions
Pair 1-2 3-4 5-6 4-5
1-2 106 (25%) 182 (43%) 31 (7%) 100 (24%)
3-4 80 (19%) 187 (45%) 60 (14%) 92 (22%)
5-6 51 (12%) 94 (22%) 170 (41%) 104 (25%)
7-8 157 (37%) 172 (41%) 45 (11%) 45 (11%)
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Caters
True rows
5028
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   7 SE Bob (–)
265
   789 SE Single (s)
54
Performances
References
Collection Chapter Page Reference
St Martin's Guild Compositions (2012) 20 Feb 2012
Library Details
Library
Public
Notes
Composition Id
74146
Created on
Fri 18-Dec-20 14:49 by Mark R Eccleston
Modified on
Sun 28-Jan-24 00:10 by Composition Analyser
Published on
Fri 18-Dec-20 19:22