23456 | M | W | H |
---|---|---|---|
42356 | a | ||
65324 | – | – | – |
52364 | b | ||
43265 | – | – | |
32465 | 2a | ||
64523 | – | – | |
34256 | – | 2 | – |
23456 | a |
Pair | 1-2 | 3-4 | 5-6 | 7-8 | 9-10 | 11-12 |
---|---|---|---|---|---|---|
1-2 | 105 (100%) | – | – | – | – | – |
3-4 | – | 35 (33%) | 4 (4%) | 4 (4%) | 18 (17%) | 44 (42%) |
5-6 | – | 13 (12%) | 23 (22%) | 2 (2%) | 63 (60%) | 4 (4%) |
7-8 | – | – | – | 105 (100%) | – | – |
9-0 | – | – | 20 (19%) | – | 85 (81%) | – |
E-T | – | – | – | – | – | 105 (100%) |
Similarity | Related Composition |
---|---|
Reversed and transposed calling | 5040 Newgate Surprise Maximus by Peter Border |
Identical calling | 5040 Barford Surprise Maximus by Peter Border |
Reversed and transposed calling | 5040 Londinium Surprise Maximus by Peter Border |
Date | Type | Details |
---|
Collection | Chapter | Page | Reference |
---|---|---|---|
A Collection of 12+ Compositions | Leadhead group f | 40 |