5009 Stedman Cinques

Layout
5009 Stedman Cinques Op. 1a
Composed by Alex S Riley
2314567890E 1 2 5 6 7 9 14 15 18 19
32145678E90 a
243156 s – A B
412356 s –
134256 s –
312456 s s –
234156 A
234165E7098 b
325164E7908 c
234561 d C
654321 s s
534162 e
352164 – –
563124 f
214653 s – –
123654 g
264315 s – –
1234658790E h
(12346587E90) –
21436587E90 B
2341658709E – s s
325164 g
264315 C
1342658709E i

a = s1.2.15.16
b = 2.s8.s10.14-18 (20)
c = s1.s5.s14.s16.s19
d = s5.s14.s16.19
e = 5.7.18.19
f = 6.s14.s16.s19
g = s5.s14.s16.s19
h = s7.s9.14.15.18
i = s5.s5.s7.s9.s14
6 56s (0f,6b), 167 4-bell runs (20f,147b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5009
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
52
   90E SE Single (s)
65
Performances