23456 | B | M | W | H |
---|---|---|---|---|
34256 | 2 | |||
53246 | – | |||
53462 | x | – | ||
43265 | – | 3 | ||
65432 | 2 | – | ||
23456 | – | – | – |
Pair | 1-2 | 3-4 | 5-6 | 7-8 | 9-10 | 11-12 |
---|---|---|---|---|---|---|
1-2 | 105 (100%) | – | – | – | – | – |
3-4 | – | 29 (28%) | – | – | 21 (20%) | 55 (52%) |
5-6 | – | 14 (13%) | 66 (63%) | – | 15 (14%) | 10 (10%) |
7-8 | – | – | – | 105 (100%) | – | – |
9-0 | – | – | – | – | 105 (100%) | – |
E-T | – | – | – | – | – | 105 (100%) |
Similarity | Related Composition |
---|---|
Reversed and transposed calling | 5040 Cambridge Surprise Maximus by Anthony J Cox |
Reversed and transposed calling | 5040 Yorkshire Surprise Maximus by Frank T Blagrove |
Date | Type | Details |
---|
Collection | Chapter | Page | Reference |
---|---|---|---|
A Collection of 12+ Compositions | Leadhead group b | 10 |