5050 Stedman Cinques

Layout
5050 Stedman Cinques
Composed by Jeremy R Pratt
2314567890E 1 2 3 5 7 12 14 15 18 19
32615478E90 a
314265 b
123465 – s –
241365 s –
432165 – s –
315264 – –
315246E9780 c
123456 d
24136587E90 e
432165 f X
314265 s –
123465 X
241365879E0 s s –
432165 X
314265 s –
123465 X
2413658709E – s –
432165 – s –
314265 s –
123465 – s –
2143657890E g
13246578E90 h
341265 s –
423165 – s –
214365879E0 i
132465 X
341265 s –
423165 X
21436587E90 s s –
2143658709E – s
2143758690E s s –
12537486E90 j
2146357890E k
123465 l
125436 – s s
124356 2m
(3124567890E) n

a = s1.2.15.16.19
b = 5.s14.18.19
c = 3.s8.s10.s12.21
d = 5.s14.s16.18
e = s1.3.7.8.s10.s12.18.21
f = 4.6.s14.16.18.19
g = s1.s7.s9.s13.s15.18.s22
h = s1.2.7.s15.s18.19
i = s7.s10.s13.s15.18.s22
j = s1.2.6.7.s15
k = s7.10.11.13.s15.s19.22
l = 3.4.9.10.15.16.s18.21.22 (24)
m = 3.4.9.10.15.16.21.22 (24)
n = s7.s9.s16.18
17 56s (0f,17b), 6 65s (0f,6b), 120 4-bell runs (28f,92b), Single Whittingtons, Double Whittingtons.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5050
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
108
   90E SE Single (s)
60
Performances