5021 Stedman Cinques

Layout
5021 Stedman Cinques Op. 1
Composed by Alex S Riley
2314567890E 1 2 7 10 13 14 15 18 22
24135678E90 – s
432156 s – A
314256 s –
123456 s –
1234568790E a
(12345687E90) –
31425687E90 A
3142657890E b
432165 A
43216587 s s s
241365 A
4213658709E s s
143265 A
264315 c
164325 s
325164 d
234561 e
1324658790E f
(13246587E90) –
21436587E90 A
214365E7908 – s
423165 A
215643 g
1643258790E h
3214658709E i
1342658709E A

a = s10.s13.s15.22
b = s1.s3.s8.s10.12.13.s15.s21.22
c = s5.s7.s9.s16.18
d = 6.7.s9.s14.s16
e = s5.s14.s16.19
f = 7.s10.s16.19
g = s5.6.7.s9
h = 5.6.15.16.18
i = s5.s7.9.10.s14.s16.18
24 56s (0f,24b), 12 65s (0f,12b), 133 4-bell runs (28f,105b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5021
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
48
   90E SE Single (s)
59
Performances