23456 | M | T | B | V | W | H |
---|---|---|---|---|---|---|
35426 | – | – | ||||
52364 | – | s | s | – | ||
35264 | – | – | – | – | ||
26543 | s | s | – | |||
26435 | – | – | ||||
34562 | – | – | ||||
32465 | – | – | – | |||
43265 | – | – | – | – | ||
23645 | – | – | – |
Pair | 1-2 | 3-4 | 5-6 | 7-8 |
---|---|---|---|---|
1-2 | 159 (100%) | – | – | – |
3-4 | – | 53 (33%) | 38 (24%) | 68 (43%) |
5-6 | – | 37 (23%) | 65 (41%) | 57 (36%) |
7-8 | – | – | 6 (4%) | 153 (96%) |
Similarity | Related Composition |
---|---|
Reversed and transposed calling | 5088 London Surprise Major by Roger Baldwin |
Reversed and transposed calling | 5088 London Surprise Major by Robert D S Brown |
Date | Type | Details |
---|
Collection | Chapter | Page | Reference |
---|---|---|---|
SRCY Compositions (2011) | 7078 | ||
SRCY Compositions (2013) | 7456 | ||
SRCY Compositions (2018) | 8254 |