23456 | M | W | B | H |
---|---|---|---|---|
42356 | – | |||
25463 | 2 | 2 | ||
35264 | 2 | 3 | ||
62453 | – | – | ||
54326 | – | – | ||
23465 | – | – | s | 3 |
23645 | s | |||
63542 | – | ss | ||
34625 | 2 | 2 | ||
23456 | 2 | 2 | 2 |
Pair | 1-2 | 3-4 | 5-6 | 7-8 |
---|---|---|---|---|
1-2 | 161 (100%) | – | – | – |
3-4 | – | 42 (26%) | 35 (22%) | 84 (52%) |
5-6 | – | 28 (17%) | 56 (35%) | 77 (48%) |
7-8 | – | – | – | 161 (100%) |
Similarity | Related Composition |
---|---|
Reversed and transposed calling | 5152 Freasley Surprise Major by Alan M Barber |
Date | Type | Details |
---|
Collection | Chapter | Page | Reference |
---|---|---|---|
A Collection of Universal Compositions | Leadhead groups cf | 52 | BDdXYZ |