5088 7-Spliced Surprise Major (Renaissance Revisited)

Layout
5088 7-Spliced Surprise Major Op. R1
Composed by Mark B Davies and Alan G Reading
2345678 I F V W M B H Methods
64352 – – C.MBBLM.
5742638 – – LL.MBMBL.SAL
(3526478) – 2 – LASM.LMC.LSM.AS.
(4273658) – 3 SS.A.LMA.MDC.
(64725) – – D.C.
(2345678) – 3 – B.CC.SAS.CLA.CLL.
2453678 – 2 SA.SD.B.
24365 – – 3 BLDB.A.D.LALAA.B.
53462 – – SSS.MBMM.
(65432) – LLMBM.
(7562438) – – MMCB.AL.
(4637258) – MDSD.
7253648 – 2 – – DD.M.AS.DAD.BB.
53726 3 – – DC.DADBC.LDSA.C.BB.
6532478 – – – – BC.D.AAL.LS.
(46253) – 2 ADBA.DS.B.
42563 – 2 CCDA.M.DCL.
35426 – – – SM.MCLLCM.SC.
2345678 – 3 MCDS.C.LSDA.CDC.
Contains 800 Lessness; 736 Adelaide, Cornwall, Deva, Malpas; 704 Superlative; 640 Bristol; 133 com; atw.
88 crus (29f,59b), 34 5678s (11f,23b), 30 6578s (8f,22b), 276 4-bell runs (134f,142b), 523 5678 combinations (203f,320b), 34 8765s (15f,19b), Whittingtons, Queens, Reverse Waterfall, Kings, Backrounds.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
  • Dynamic method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
7
Changes of method
133
Stage
Major
True rows
5088
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Near
Types of call
1
   14 LE Bob (–)
60
Performances