552 Cambridge Surprise Minor

Layout
552 Cambridge Surprise Minor
Composed by Barnaby R Larter
23456 W B H
24536 – 2
(25346) – –
23456 – 2
Tittums, Kings/Whittingtons, Backrounds, 5 65s at back.
Blue Line
Music Score = 65
Musical combination Front Internal Back Count Score
56s       21 21
56s       21 21.00
4-bell runs 9 7 6 22 15
1234s 2 2 0 4 2.00
2345s 1 1 2 4 3.00
3456s 2 0 2 4 4.00
4321s 1 1 1 3 2.00
5432s 1 2 1 4 2.00
6543s 2 1 0 3 2.00
5-bell runs 2 0 3 5 5
12345s 1 0 1 2 2.00
23456s 0 0 1 1 1.00
54321s 0 0 1 1 1.00
65432s 1 0 0 1 1.00
Wraps       4 4
Backstroke wraps of Rounds       0 0.00
Backstroke wraps of Queens       2 2.00
Backstroke wraps of Tittums       0 0.00
Backstroke wraps of Backrounds       0 0.00
Handstroke wraps of Rounds       1 1.00
Handstroke wraps of Queens       1 1.00
Handstroke wraps of Tittums       0 0.00
Handstroke wraps of Backrounds       0 0.00
Combination near misses       10 10
123465 (near miss)       1 1.00
123546 (near miss)       1 1.00
124356 (near miss)       1 1.00
132456 (near miss)       0 0.00
213456 (near miss)       1 1.00
124365 (combination near miss)       1 1.00
132465 (combination near miss)       1 1.00
132546 (combination near miss)       1 1.00
213465 (combination near miss)       1 1.00
213546 (combination near miss)       0 0.00
214356 (combination near miss)       1 1.00
214365 (combination near miss)       1 1.00
Named Rows       10 10
123456 (Rounds)       1 1.00
132546 (Priory/The Intermediate)       1 1.00
135246 (Queens)       0 0.00
142536 (Tittums)       1 1.00
145236 (Jacks)       1 1.00
154326 (Jokers)       1 1.00
213546 (Burdette)       0 0.00
321456 (See-saw)       1 1.00
341256 (Hagdyke)       0 0.00
342516 (Exploded Tittums)       1 1.00
531246 (Kings/Whittingtons)       1 1.00
532146 (Princes)       1 1.00
654321 (Backrounds)       1 1.00
Undesirables       5 0
65s at back       5 0.00
Handbell Positions
Pair 1-2 3-4 5-6
1-2 23 (100%) – –
3-4 – 13 (57%) 10 (43%)
5-6 – 9 (39%) 14 (61%)
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Minor
True rows
552
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
b
Date composed
Default calls
Near
Types of call
1
   14 LE Bob (–)
8
Related Compositions = 4
Similarity Related Composition
Transposed calling 552 Cambridge S Minor by Robin E H Woolley
Reversed and transposed calling 552 Treble Dodging Minor
Reversed and transposed calling 552 Cambridge Surprise Minor Op. N-01 by Traditional
Rotated calling 552 Beverley Surprise Minor
Performances
Date Type Details
References
None
Library Details
Library
Public
Notes
Composition Id
48273
Created on
Sat 09-Mar-19 00:13 by Barnaby Larter
Modified on
Sun 28-Jan-24 00:01 by Composition Analyser
Published on
Sat 09-Mar-19 00:14