5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 4 (Variation 12)
Composed by Michael J Uphill
2314567890E 1 4 6 7 12 13 17 19
21345678E90 – s –
314256 – 2
312456 s 2
213654 – –
2143568709E a
413256 – 2 A
412356 s 2
213456 – 2
2143658790E b
41326587E90 – – 2
312465 – 2
214365 – 2
13579E24680 c
2134657890E d
(21346578E90) –
21436578E90 A
2153648709E e
1253048E697 s – –
2134658709E f
2143658709E A

a = 2.s13.s15.19
b = s1.5.s8.10.11.s13.15.16 (20)
c = 1.15.s17.24 (24)
d = 1.3.s7.10.11.s13.16.s18.20 (20)
e = 2.s13.s15.s19
f = s7.12.13.19.19
11 56s (0f,11b), 12 65s (0f,12b), 83 4-bell runs (15f,68b), Queens.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
67
   90E SE Single (s)
19
Performances