5100 Stedman Cinques

Layout
5100 Stedman Cinques
Composed by Paul N Mounsey
2314567890E 6 7 9 16 18 19
43215678E90 a
413256 – A
132456 s 2
431256 s s –
231456 A
326154 s –
3142658709E b
325164 – – B
235461 – – –
241365 – –
132465 – – –
145362 – –
415263 – – –
423165 – –
31426578E90 c
1342657890E d C
42136578E90 e
243165 2C
423165 s
23516487 f
135264 g
435261 s–
4213658709E h
125364 B
231456 i
(2314567890E) j

a = s1.2.s9.15.16.18
b = 2.5.s13.14.15.18.19
c = 2.6.s13.s15.18.19
d = s7.12.14-19 (20)
e = 1.6.18.19
f = s2.6.s13.15.16
g = s6.s6.s9.s16.s18
h = 2.s15.18.19
i = 5.s6.s14.s16.18
j = 3.13.14.16-19 (20)
24 56s (0f,24b), 12 65s (0f,12b), 111 4-bell runs (33f,78b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5100
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
103
   90E SE Single (s)
26
Performances