5024 Quito Surprise Major

Layout
5024 Quito Surprise Major Op. 2416
Composed by Richard I Allton
2345678 B M W F I H
43652 –
34526 – s
(52364) s – – –
46235 – s –
23564 s – –
23645 – –
64235 – –
23465 s –
23654 – –
23546 – –
45362 s s s
63254 s – s
54326 – s s
32465 s s –
56243 – s –
32645 – –
32456 – –
32564 – –
56324 – –
32654 s –
32546 – –
65243 – –
42356 – –
65234 – s –
2345678 s – –
87 crus (0f,87b), 19 5678s (0f,19b), 14 6578s (0f,14b), 76 4-bell runs (28f,48b), 220 5678 combinations (84f,136b), 2 8765s (2f,0b), Queens, Tittums.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Major
True rows
5024
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
bgl
Date composed
Default calls
Near
Types of call
2
   1234 LE Single (s)
18
   14 LE Bob (–)
42
Performances
Date Type Details