5009 Stedman Cinques

Layout
5009 Stedman Cinques Op. 7
Composed by Jeffrey P Ladd
2314567890E 1 9 10 13 16 18 22
321456 a
3124576 b
32415768E90 – 2
124357 s s –s–
12435768E09 s –
134257 ––s––
125347689E0 c
2143657809E d
2431657890E s 2
124365 s s –s––
13246578E09 e
134265 –s––
13426587E90 f
215364879E0 g
1342658709E h
(1342658709E) ss

a = 1.s7.12.14-19 (20)
b = s4.5.6.s14.17
c = 1.5.s14.18.18.s18.18.18
d = 1.4-6.s14.16.17.s19
e = 1.s13.18.22
f = s1.2.s10.s13.s15
g = s6.9.10.s16
h = 1.s6.s16.18.18.s18.18.18
18 56s (0f,18b), 18 65s (0f,18b), 74 4-bell runs (23f,51b), Tittums.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5009
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
52
   90E SE Single (s)
29
Performances