5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 2
Composed by Mark B Davies
2314567890E 2 7 14 15 16 18
12346578E90 a
241365 s – Q
432165 s –
314265 s –
254163 b
514623 s s s
523614 c
263154 s s s
214365 d
1342657809E e
13526487 f
13427586 g
13246587 h
341265 s –
423165 s –
42316587E90 – s
31527486 i
12346587 j
214365 Q
1234658709E k
2143658709E Q

a = 1.5.8-11.s13.14.15 (20)
b = 7.s9.s16.s18
c = s7.s14.s16.s19
d = s7.s14.s16.s18.19
e = 2.15.16.s18
f = s2.s6.s13.s15.s18.s18
g = s3.s6.12.s18.s18
h = s3.s9.12.18
i = s3.6.s9.12.s18.s18
j = s3.6.7.12.18
k = 2.s7.s9.s15.18
23 56s (0f,23b), 121 4-bell runs (17f,104b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
40
   90E SE Single (s)
85
Performances
Date Type Details