5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 1
Composed by Mark B Davies
2314567890E 3 6 7 9 12 14 16 18
12346578E90 a
241365 s – Q
432165 s –
314265 s –
254163 b
514623 s s s
523614 c
263154 s s s
214365 d
13246587 e
341265 s –
423165 s –
21537486 f
125374 s
12346587 g
214365 Q
1324658709E h
341265 s –
423165 s –
21437586 i
21536487 s s –
125364 s
123465 s s –
2143658709E Q

a = 1.5.8-11.s13.14.15 (20)
b = 7.s9.s16.s18
c = s7.s14.s16.s19
d = s7.s14.s16.s18.19
e = s2.s7.s13.s15.18
f = s3.7.12.18
g = s3.s6.s9.12.18
h = 2.s7.s15.18
i = s3.s7.12.18
23 56s (0f,23b), 126 4-bell runs (19f,107b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
39
   90E SE Single (s)
83
Performances
Date Type Details