5007 Stedman Cinques

Layout
5007 Stedman Cinques
Composed by Michael J Uphill
2314567890E 1 2 3 4 6 12 13 15 17 18 19 24  
21345678E90 – s –  
312456 – s  
214356 – 2  
2143568709E – s s  
21435687E90 – s  
413265 a  
312465 – 2   A
314265 s 2  
412365 – 2  
13579E24680 – – – (24)
2134658790E b  
21346578E90 c  
214365 A  
2143657809E – s  
214365879E0 d  
2143658790E e  
21437586 s –  
315274 f  
3152647809E g  
13526487 h  
3241058E697 i  
315204 – –  
3152648709E – –  
314265 s 3  
412365 – 2  
2143658709E – s  

a = 5.s8.10.11.13-16 (20)
b = 1.3.s7.10.11.16.s18.20 (20)
c = s1.2.s13.s15
d = 2.s10.s13.s15
e = s1.2.s10.s15
f = s1.9.10.s16.18.19
g = 1.2.13.s15
h = s2.s7.s13.s15
i = s7.12.13.18.19
11 56s (0f,11b), 3 65s (0f,3b), 74 4-bell runs (21f,53b), Queens.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
67
   90E SE Single (s)
31
Performances