5040 Spliced Surprise Minor (14m)

Layout
5040 14-Spliced Surprise Minor Op. 1006
Composed by Peter G C Ellis
23456 5 Methods
23564 – WkWkWkWkWk.
52364 – ClClClClCl.
35264 – LoLoLoLoLo.
35642 – BkBkBkBkBk.
35426 – MoMoMoMoMo.
35264 – BcBcBcBcBc.
23564 – CuCuCuCuCu.
23645 – PrPrPrPrPr.
62345 – WsWsWsWsWs.
36245 – YoYoYoYoYo.
23645 – LfLfLfLfLf.
23456 – WhWhWhWhWh.
42356 – CmCmCmCmCm.
34256 – ChChChChCh.
3 part.
Contains 360 Bacup (Bc), Berwick (Bk), Cambridge (Cm), Carlisle (Cl), Chester, Cunecastre, Lightfoot (Lf), London, Morpeth, Primrose, Warkworth (Wk), Westminster (Ws), Whitley, York; 41 com; atw.
7 Queens, 7 Tittums, 7 Kings/Whittingtons, 7 Backrounds.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
3
Number of methods
14
Changes of method
41
Stage
Minor
True rows
5040
False rows
0
Complete extents
7
Partial extents
0
Applicable leadhead codes
Date composed
Default calls
Near
Types of call
1
   14 LE Bob (–)
42
Performances