23456 | M | W | H |
---|---|---|---|
56234 | 2 | – | |
42635 | – | – | |
54326 | 2 | – | 2 |
35426 | 3 | – | |
23456 | – |
Pair | 1-2 | 3-4 | 5-6 | 7-8 | 9-10 | 11-12 |
---|---|---|---|---|---|---|
1-2 | 110 (100%) | – | – | – | – | – |
3-4 | – | 26 (24%) | 21 (19%) | – | 19 (17%) | 44 (40%) |
5-6 | – | 13 (12%) | 21 (19%) | – | 39 (35%) | 37 (34%) |
7-8 | – | – | – | 110 (100%) | – | – |
9-0 | – | – | – | – | 110 (100%) | – |
E-T | – | – | – | – | – | 110 (100%) |
Similarity | Related Composition |
---|---|
Identical calling, changes and rows | 5280 Cambridge Surprise Maximus Op. No 17 by Charles J Sedgley |
Date | Type | Details |
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Collection | Chapter | Page | Reference |
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Harold Poole's composition file |