2345678 | I | M | W | B | F | H |
---|---|---|---|---|---|---|
35264 | – | |||||
63542 | 2 | – | 3 | |||
34625 | – | |||||
42563 | 2 | – | 3 | |||
26435 | – | 3 | ||||
5472368 | – | |||||
3265478 | – | 2 | – | – | ||
62534 | – | – | – | |||
2345678 | – | 2 | 3 |
Pair | 1-2 | 3-4 | 5-6 | 7-8 |
---|---|---|---|---|
1-2 | 157 (100%) | – | – | – |
3-4 | – | 46 (29%) | 53 (34%) | 58 (37%) |
5-6 | – | 48 (31%) | 51 (32%) | 58 (37%) |
7-8 | – | 7 (4%) | – | 150 (96%) |
Similarity | Related Composition |
---|---|
Rotated calling | 5024 Cambridge Surprise Major by BYROC |
Rotated calling | 5024 Cambridge Surprise Major by Joseph W Parker |
Rotated calling | 5024 Cambridge Surprise Major by Joseph W Parker |
Reversed and transposed calling | 5024 Cambridge Surprise Major Op. 6632a by Joseph W Parker and Donald F Morrison |
Reversed and transposed calling | 5024 Cambridge Surprise Major by Joseph W Parker |
Date | Type | Details |
---|
Collection | Chapter | Page | Reference |
---|---|---|---|
Harold Poole's composition file |