5100 Stedman Cinques

Layout
5100 Stedman Cinques
Composed by Lucinda J Woodward
2314567890E 6 7 9 18
23517486E90 a
43216578 b
345162 – – A B
341265 s s –
125463 – s
124365 s s –
215364 – –
213465 s s –
3421658709E c
214365 A
1423657890E d
124365 –s C
231465 s –
34216578E90 e
2134658709E B
14236587E90 f
231465 C
2314568790E g
(2314567890E) h

a = 1.s4.5.s7.8-10.s13.17 (20)
b = 7.13.15.16.s19.s22
c = 2.6.s13.s15.18.19
d = s1.s6.8.s10.12.13.16.s18 (20)
e = s1.2.15.16.18
f = s2.3.s12.15.16.18
g = s2.s4.5.7.s9.11 (20)
h = s1.3.13.14.16-19 (20)
24 56s (0f,24b), 15 65s (0f,15b), 97 4-bell runs (31f,66b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5100
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
76
   90E SE Single (s)
52
Performances