5069 Erin Sextuples

Layout
5069 Erin Sextuples
Composed by Matthew D Dawson
1234567890ETA 1 7 8 10  
4132A5T6E7089 a  
2413A5 s –  
3241A5 s –  
1423A5 – –  
3142A5 s –  
2314A5 s –  
4136A2T5 – – –  
6412358709AET b  
3542618709EAT c  
A0TE987654321 d  
ET0A98 – –  
AET098 – s  
1T2A43658709E e  
A1T243 s –  
2T1A43 – –  
A2T143 s –  
AT2143 s  
T0AE214365879 f   A
ET0A21 s –  
A0TE21 – –  
EA0T21 s –  
E0AT21 s  
7698E0AT21435 2g   B
321ATE0987654 h  
A213TE s   C
3A21TE – s  
12A3TE – –  
312ATE – s  
1ATE098765432 i  
EAT109 s   D
1EAT09 – s  
TAE109 – –  
1TAE09 – s  
2A31547698E0T e  
12A354 s –  
3A2154 – –  
13A254 s –  
1A3254 s  
TE1A325476980 A  
4321ATE098765 B  
21ATE09876543 C  
2314658709TEA D  
423165 s –  
132465 – –  
413265 s –  
241365 s –  
ATE0987654321 s (7)
3241658709TEA – (6)

a = 1.2.5-9.13.19.22 (24)
b = 1.8.14-17.21 (27)
c = s1.6.7.s9
d = 1.s2.8.9.14.s15 (20)
e = 7.s8.9-11.s12.13 (18)
f = 2-5.s6.7 (12)
g = 2-6 (12)
h = 2-6 (6)
i = 7.s8.9-12 (12)
26 56s (5f,21b), 412 4-bell runs (178f,234b), Backrounds.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Sextuples
True rows
5069
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   E SE Bob (–)
139
   ETA SE Single (s)
48
Performances
Date Type Details