23456 | M | T | B | V | W | H |
---|---|---|---|---|---|---|
42356 | – | |||||
42563 | – | – | ||||
64235 | – | s | s | |||
24365 | – | – | – | |||
46253 | – | |||||
25634 | s | s | – | |||
32546 | – | s | s | |||
36245 | – | – | – | |||
54263 | – | – | – | |||
53462 | – | – | – | |||
46532 | – | – | ||||
46325 | – | – | ||||
32465 | – | – |
Pair | 1-2 | 3-4 | 5-6 | 7-8 |
---|---|---|---|---|
1-2 | 158 (100%) | – | – | – |
3-4 | – | 66 (42%) | 23 (15%) | 69 (44%) |
5-6 | – | 60 (38%) | 58 (37%) | 40 (25%) |
7-8 | – | – | 6 (4%) | 152 (96%) |
Similarity | Related Composition |
---|---|
Reversed and transposed calling | 5056 Wembley Surprise Major by Robert D S Brown |
Date | Type | Details |
---|
Collection | Chapter | Page | Reference |
---|---|---|---|
A Collection of Compositions in the popular Major Methods | Wembley Surprise Major | ||
RingingOrg (U-Z Surprise Major) | Wembley Surprise Major | 479 |