5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 6
Composed by Andrew S Hudson
2314567890E 1 6 9 18 19
213465 a
312465 – s
314265 s –
413265 – s
412365 s –
214365 – s
41256378E90 – – –
415362 2 A
412365 s 3
215364 – 3
213564 s 2
315264 – 2
314265 s 3
4135628709E b
415263 2
413265 s 3
315264 – 3
312564 s 2
215364 – 2
2143658709E s 3

a = 5.7.8.10.11.s13.s15.16 (20)
b = 2.6.s13.s15.19
14 56s (0f,14b), 18 65s (0f,18b), 87 4-bell runs (10f,77b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
51
   90E SE Single (s)
15
Performances