5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 3
Composed by Richard A G Inglis
2314567890E 1 4 6 17 19
21345678E90 – s –
314256 – 2
312456 s 2
214356 – 2
312465 a
214365 – 2
213465 s 2
314265 – 2
2143658790E b
413265 – 2
412365 s 2
213465 – 2
31426587E90 – – 2
312465 s 2
214365 – 2
2134658709E c
314265 – 2
412365 – 2
413265 s 2
312465 – 2
2143658709E – 2

a = 5.7.8.10.11.13.s15 (20)
b = 9.10.s13.15.16.s18.22
c = 2.s9.s15.18
17 56s (0f,17b), 60 4-bell runs (10f,50b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
62
   90E SE Single (s)
11
Performances
Date Type Details