5016 Spliced Cinques and Maximus (2m)

Layout
5016 2-Spliced Cinques and Maximus
Composed by Mark R Eccleston
1234567890ET M W H 16 18 Methods  
124356 z BBBBBBB. (7)
32145678E90T a S.QSQSQSQS.QSQSQSQ.SQ.SQSQ   CinquesA
243156 s – SQSQSQSQSQSQSQSQ.SQ.SQSQ  
412356 s – SQSQSQSQSQSQSQSQ.SQ.SQSQ  
1263457890ET c SQSQS.Q.S.QSQSQ.SQ.S.Q.S.Q.S.Q  
143265 zb b BBB.BBBBBBB.BBBB.BBBBBBB (7,14)
12346587E90T d S.QSQSQSQS.QSQS.QS.QSQSQSQ.   CinquesB
241365 s – SQSQSQSQSQSQSQSQ.SQ.SQSQ  
432165 s – SQSQSQSQSQSQSQSQ.SQ.SQSQ  
314265 s – SQSQSQSQSQSQSQSQ.SQ.SQSQ  
1243657890ET e SQSQSQS.QS.QSQ.SQ.SQ.S.Q.S.Q  
2 part; Stedman calls; b = 14 Bob; z = 1234 Single.

a = 1.s9.s16.18
c = 5-7.12.14-19 (20)
d = 1.s9.s13.s15.s22
e = s7.s9.12.14.s16.17-19 (20)
Contains 2688 Bristol Surprise Maximus; 2328 Stedman Cinques (Q, S); 7 com; atw.
10 56s (0f,10b), 10 65s (0f,10b), 266 4-bell runs (142f,124b), See-saw/Reverse Waterfall, Backrounds.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
2
Number of methods
2
Changes of method
7
Stage
Maximus
True rows
5016
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
4
   1234 LE Single (z)
4
   14 LE Bob (b)
4
   90ET SE Single (s)
28
   9T SE Bob (–)
46
Performances
Date Type Details