1292 Original Major

Layout
1292 Original Major
Composed by Matthew W Goodship
12345678 1 2 3 6 7 8  
31428765 a   A
34217658 b  
52136478 c  
231465 – (9)
41237568 d  
235714 e  
46215378 – – –  
132456 – – (10)
21438765 a   B
24317658 b  
53216478 f  
312465 – (9)
42317568 d  
315724 e  
46325178 – – –  
213456 – – (10)
321456 B  
312456 A  
231456 B  
12438765 a   C
14327658 b  
53126478 f  
321465 – (9)
41327568 d  
75681243 g  
82135476 – (11)
31286745 h  
75634128 – – – (8)
12345678 – (12)
Near calls.

a = 1-3.8.9 (13)
b = s1.2.3.8.9.12.14.15 (16)
c = 1-3.8.10 (12)
d = 1-3.10.12.13
e = 1-3.5.6.10-12.17 (18)
f = s1.2.3.8.10 (12)
g = 1-3.8.9 (9)
h = 1.2.7.8 (12)
67 crus (13f,54b), 36 5678s (12f,24b), 24 6578s (0f,24b), 122 4-bell runs (56f,66b), 380 5678 combinations (138f,242b), 42 8765s (18f,24b), Queens, Kings, Backrounds.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Major
True rows
1292
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Near
Types of call
2
   1234 LE Single (s)
10
   14 LE Bob (–)
224
Performances