232 Original Major

Layout
232 Original Major
Composed by Matthew W Goodship
12345678 1 2 6 7 8  
31428765 a  
24317658 b  
53126478 c  
321465 – (9)
41327568 d  
75681243 e  
82135476 – (11)
31286745 f  
75634128 – – – (8)
12345678 –  
Near calls.

a = 1-3.8.9 (13)
b = 1-3.8.9.12.14.15 (16)
c = 1-3.8.10
d = 1-3.10.12.13 (14)
e = 1-3.8.9 (9)
f = 1.2.7.8
12 crus (3f,9b), 6 5678s (2f,4b), 4 6578s (0f,4b), 32 4-bell runs (14f,18b), 70 5678 combinations (28f,42b), 7 8765s (3f,4b), Backrounds.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Major
True rows
232
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Near
Types of call
1
   14 LE Bob (–)
39
Performances
Date Type Details