5004 Spliced Cinques and Maximus (3m)

Layout
5004 3-Spliced Cinques and Maximus
Composed by Mark R Eccleston
1234567890ET B F M W H 1 6 7 9 10 16 18 Methods  
132456 zb BBBBBBB.O. (7,1)
34125678E90T – s – S.QSQSQSQSQSQSQSQ.SQ.SQSQ   CinquesA
423156 s – SQSQSQSQSQSQSQSQ.SQ.SQSQ  
214356 s – SQSQSQSQSQSQSQSQ.SQ.SQSQ  
123456 s s – SQSQSQS.QS.QSQSQSQSQ.SQSQ  
123456789E s SQSQSQSQSQ.SQSQSQSQSQSQ  
123648507E9T b b bb BBO.O.BBBBB.O.O (9,1,1)
513247608 a SQS.Q.SQSQ.SQS.QS.QSQSQSQ   CinquesB
1324576980ET c SQSQS.QS.QS.QSQSQSQSQ.SQSQ.  
143257 b O. (1)
354162879 d SQ.SQ.SQS.QS.Q   CinquesC
31526487E90T – s – S.QSQSQ.SQSQSQSQSQSQ.SQSQ  
1452637890ET e SQSQSQS.QSQSQ.SQ.SQ.S.Q.S.Q  
124563 b O. (1)
154263 f S.QSQSQSQS.QSQ.SQ.S.Q.S.Q.S.Q   CinquesD
132465 b b OO.BOBOBOBOB. (11)
13246587 g S.QSQSQSQSQSQ.SQ.SQ.S.Q.S.Q   CinquesE
14326578 h S.QSQSQSQSQ.SQS.QS.QSQ.SQSQ.  
123465 zbb O.O.O. (1,1,1)
164532 z b z OO.BOBOBOBB.OBOBOBB. (11,6)
14326578E90T i S.QSQS.Q.S.QSQSQSQ.SQSQS.QSQ   CinquesF
123465 s SQSQSQSQSQSQSQSQSQ.SQSQ  
1234658790ET j SQSQSQSQSQSQ.SQ.SQ.S.Q.S.Q  
432165 2k S.QSQSQSQSQ.SQSQSQ.SQ.SQSQ  
315264E7098T l S.QSQSQSQSQSQSQS.Q.SQ.S.QSQ  
1234567890ET m S.QSQS.Q.SQSQSQS.Q.S.Q.SQ.SQSQ  
Stedman calls; z = 1234 Single; b = 14 Bob.

a = s3.4.s8.s11.s13 (20)
c = 5.s7.s9.18.22
d = 2.4.7.9 (10)
e = 7.12.14.s16.17-19 (20)
f = 1.s9.12.14-19 (20)
g = 1.12.14.s16.17-19 (20)
h = s1.s10.s13.s15.18.s22
i = 1.5-7.s14.19
j = 12.14.s16.17-19 (20)
k = s1.s10.s16.18
l = s1.15.16.s18.19
m = s1.s5.6.13-16.18
Contains 2508 Stedman Cinques (Q, S); 1344 Bristol Surprise Maximus; 1152 Orion Surprise Maximus; 37 com.
24 56s (0f,24b), 9 65s (0f,9b), 297 4-bell runs (112f,185b), Backrounds, 42 TEs at back.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
3
Changes of method
37
Stage
Maximus
True rows
5004
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
4
   1234 LE Single (z)
4
   14 LE Bob (b)
12
   90ET SE Single (s)
34
   9T SE Bob (–)
57
Performances
Date Type Details