5009 Stedman Cinques

Layout
5009 Stedman Cinques Op. 2
Composed by Adrian M Moreton
2314567890E 2 6 7 13 15 18 19
31245678E90 a
132456 s
241356 – – –
421356 s
134256 – – –
1342568709E – s s
421356 – – –
241356 s
132456 – – –
312456 s
243156 – – –
423156 s
314256 – – –
31425678E90 – s s
314265 b
423165 – – –
243165 s
312465 – – –
132465 s
241365 – – –
421365 s
134265 – – –
1342657809E – s
421365 – – –
241365 s
132465 – – –
312465 s
243165 – – –
423165 s
314265 – – –
31426587 s s s
423165 – – –
243165 s
312465 – – –
132465 s
241365 – – –
421365 s
1342658709E – – –

a = s1.2.6.15.16.s19
b = 5.s8.10.11.s13.15.s16 (20)
24 56s (0f,24b), 24 65s (0f,24b), 90 4-bell runs (24f,66b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5009
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
65
   90E SE Single (s)
27
Performances