2511 Stedman Cinques

Layout
2511 Stedman Cinques
Composed by Lucinda J Woodward
2314567890E 6 19
2143657809E a
21346578E90 b
314265 – s–s
412365 – s–s
214365 –s
2134658709E c
314265 – s–s
412365 – s–s
2143658709E –s

a = s1.3.4.s8.9-12.17.20.21
b = 2.s9.s15.18
c = 2.s3.s9.12.13.s15.18
17 56s (0f,17b), 42 4-bell runs (10f,32b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
2511
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
25
   90E SE Single (s)
17
Performances