5050 Stedman Cinques

Layout
5050 Stedman Cinques Op. 1468
Composed by Richard I Allton
2314567890E 1 2 6 9 13 15 18 19
21436578E90 a
413265 – 2
312465 – 2
314265 s 2
412365 – 2
213465 – 2
2134658709E – s s
314265 – 2
412365 – 2
413265 s 2
312465 – 2
214365 – 2
21346587E90 s– s –
314265 – 2
31425678 b
412356 – 2
213456 – 2
214356 s 2
413256 – 2
312456 – 2
(3124567890E) c

a = 3.s9.s11.12.13.16.20.s24.26.27 (30)
b = 2.3.7.8.s10.12.13.15.16.s21
c = 12.14-19 (20)
17 56s (0f,17b), 62 4-bell runs (9f,53b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5050
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
70
   90E SE Single (s)
12
Performances