5009 Stedman Cinques

5009 Stedman Cinques Op. 4
Composed by Alex S Riley
2314567890E 1 2 6 7 9 14 15 16 18 19
24135678E90 s
432156 s A
314256 s
123456 s
1234567809E s
1234568790E a
12346578 b
1432658709E c
1253048E697 d
532401
1324E506978 e
2143E5 A
32416587E90 f
2341658709E
325164 g
234561 h
654321 s s
534162 i
352164
563124 j
214653E7908 k
123654 g
2643158709E l
164325 s
26431587E90
164325 s
1453E206978 m
1325E4 s
1542E3 s
1234E5 s
12537486E90 n
134275869E0 o
3214658709E p
1342658709E A

a = s10.s13.s15.s22
b = s4.5.7-10.s13 (20)
c = 9.10.s13.s15.s22
d = 12.13.s18.19
e = 2.4.7.s10.13.16.17.s22
f = 9.10.12.15.16
g = s5.s14.s16.s19
h = s5.s14.s16.19
i = 5.7.18.19
j = 6.s14.s16.s19
k = s5.s10.s15.18.19
l = s5.7.s10.s15.18
m = 2.3.s4.10.11.17.19-21
n = s10.s12.s15.19
o = s9.10.11.19.20
p = 1.s3.s7.12.18
18 56s (0f,18b), 3 65s (0f,3b), 150 4-bell runs (30f,120b).
Blue Line
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5009
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
71
   90E SE Single (s)
57