5009 Stedman Caters

Composed by Samuel M Austin
Arranged by Lucinda J Woodward
231456789 6 8 12 15 16
324156978 a
213456 – s –
142356 – s –
431256 – s –
342156 s s –
413256 – s –
124356 – s –
231456 – s –
324157698 b
213457 – s –
142357 – s –
431257 – s –
342157968 c
413257 – s –
124357 – s –
231457 – s –
324198765 d
213498 s –
142398 s –
413298 s s –
124398 s –
231498 s –
987654321 e
137254968 f
3241975 g
213497 s –
142397 s –
431297 s –
342197 s s –
413297 s –
124397 s –
231497 s –
324195867 h
231465789 i
342165 s –
413265 s –
142365 s s –
431265 s –
324165 s –
312465879 s –
143265 s –
421365 s –
234165 s –
321465 s s –
243165 s –
412365 s –
134265879 s –

a = 1.s6.s8.15
b = 1.3.5.s7.9.s11.13-15
c = 6.7.s8.s12.15.s18
d = s3.5.s7.9.s11.13-15
e = 1-3.s7.s10 (12)
f = 2.3.5.s7.9.s11.12.14 (14)
g = 2.5.6.8.9.11.13-16 (16)
h = 1.s3.6.7.s10.s12.s14.17
i = 1.s6.8.9.15
24 56s (0f,24b), 19 65s (1f,18b), 127 4-bell runs (37f,90b), Queens, Tittums, Whittingtons, Backrounds.
Blue Line
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
  • Dynamic method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Caters
True rows
5009
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   7 SE Bob (–)
94
   789 SE Single (s)
62