5091 Stedman Cinques

Layout
5091 Stedman Cinques
Composed by Lucinda J Woodward
2314567890E 6 9 16 18
31425678E90 a
412356 –s s –
213456 –s s –
214365 b
413265 –s s –
312465 –s s –
4123658709E c
213465 –s s –
314265 –s s –
21436587E90 d
413265 –s s –
312465 –s s –
3124657890E e
314265 s –
213465 s s –
214365 s –
21435678E90 f
413256 –s s –
312456 –s s –
314265 b
412365 –s s –
213465 –s s –
4132658709E c
312465 –s s –
2143658709E –s s –

a = 1.6.8.10-13.s15 (20)
b = 5.7.8.10.11.s13.s15 (20)
c = 2.s7.s9.s13.15.16
d = 2.s7.s9.15.16
e = s2.12.14.16-19 (20)
f = s1.2.s4.5.7.s9.10.20 (20)
17 56s (0f,17b), 12 65s (0f,12b), 71 4-bell runs (18f,53b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5091
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
68
   90E SE Single (s)
49
Performances
Date Type Details