5050 Stedman Cinques

Layout
5050 Stedman Cinques Op. 2
Composed by Lucinda J Woodward
2314567890E 6 19
21436578E90 a
412365 – s
213465 – 2
312465879E0 b
213465 – s
314265 – 2
4132658709E c
314265 – s
412365 – 2
2143657890E b
412365 – s
213465 – 2
21346587E90 d
312465 – s
214365 – 2
412365 – s
3142657890E e
413265 – s
312465 – 2
2134658709E b
312465 – s
214365 – 2
412365879E0 f
214365 – s
413265 – 2
31426578E90 b
413265 – s
312465 – 2
(3124567890E) g

a = 3.s5.11.s13.14.17.20.s25 (30)
b = 6.s10.s13.s15.s19.s22
c = s1.2.6.s11.s15.19.20
d = s1.2.s13.s15
e = 9.10.s13.15.16.18.22
f = s1.6.s13.s19.22
g = s2.s4.5.7.s9.11 (20)
17 56s (0f,17b), 18 65s (0f,18b), 74 4-bell runs (12f,62b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5050
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
62
   90E SE Single (s)
46
Performances
Date Type Details