5050 Stedman Cinques

Layout
5050 Stedman Cinques
Composed by Lucinda J Woodward
2314567890E 1 6 19
31426578E90 a
412365 – 2
213465 – 2
312465 – s
214365 – 2
413265 – 2
413265879E0 b
312465 – 2
214365 – 2
412365 – s
2134658709E – – 2
314265 – 2
413265 – s
312465 – 2
214365 – 2
2143657890E c
413265 – 2
312465 – 2
213465 – s
31245687 d
21435687E90 e
413256 – 2
312456 – 2
(3124567890E) f

a = s1.3.s5.s8.12.18.20.s23.25 (34)
b = s10.s13.s15.s22
c = s1.s13.s15.s22
d = 5.s8.s10.13.14.16.s18 (20)
e = 2.6.s8.10.s12.s14.16.s18.20 (20)
f = 12.14.s16.17-19 (20)
17 56s (0f,17b), 12 65s (0f,12b), 78 4-bell runs (13f,65b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5050
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
66
   90E SE Single (s)
24
Performances
Date Type Details