5026 Stedman Cinques

Layout
5026 Stedman Cinques
Composed by Lucinda J Woodward
2314567890E 2 6 9 13 15 18 19
41235687E90 a
214356 – s
213456 s –
312456 – s
314256 s –
413256 – s
41326578 b
314265 – s
312465 s –
213465 – s
214365 s –
412365 – s
4123658709E – s s
512364 2 s
213465 – s –
314265 – 2
413265 – s
513264 2 s
312465 – s –
214365 – 2
3124657890E c
31246587E90 d
213465 – s
214365 s –
412365 – s
413265 s –
314265 – s
31425678 b
413256 – s
412356 s –
214356 – s
213456 s –
312456 – s
(3124567890E) e

a = 1.2.6.9.11.12.18.24.29 (34)
b = 4.5.7.8.s10.s13.18 (20)
c = s1.s4.10.12.13.16.19 (20)
d = 2.s10.12.14.16-19 (20)
e = 12.14-19 (20)
17 56s (0f,17b), 3 65s (0f,3b), 62 4-bell runs (15f,47b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Tenors reversed
  • Palindromic
  • Exact multipart
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5026
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
74
   90E SE Single (s)
34
Performances
Date Type Details