5033 Stedman Cinques

Layout
5033 Stedman Cinques
Composed by Lucinda J Woodward
2314567890E 2 6 7 9 10 15 16 18 19
32415678E90 a
423156 b
241356 s s –
142356 b
413256 s s –
314256 – s
13579E24680 c
1324658709E d
241365 – – –
421365 e
215364 – s
314265 f
3152E476098 g
32416587E90 h
23517486 i
3251748609E – – –
324175 s
32415768E90 j
234157 s
2341758609E j
235174 s
32517486E90 – – –
23416587 i
5341E276980 k
31426578E90 l
413265 b
142365 s s –
241365 b
423165 s s –
324165 b
231465 s s –
2314657890E m
324165 s s –
32416587 n
3124658709E s –
243165 – – –
423165 e
235164 – s
1342658709E f

a = 1.s2.s7.s9.s15.18
b = 6.s9.18.19
c = 3.5.6.8.12.14-16 (16)
d = 1.s5.6.7.10.11.18-20 (20)
e = 3.4.s12.16.17
f = 3.4.s9.s12.16-19
g = 2.4-9.s13.s17 (20)
h = 2.3.13.18.19
i = s3.6.7.12
j = 2.4.5.7.8.s10.s13.18.s20 (20)
k = s2.4.5.7-10.14-16.18 (18)
l = 1.s3.7.s9.13
m = 12.14-19 (20)
n = s1.s2.s10.s13.s15
24 56s (0f,24b), 6 65s (0f,6b), 103 4-bell runs (34f,69b), Queens, Tittums, Single Whittingtons, Double Whittingtons.
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5033
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
125
   90E SE Single (s)
53
Performances
Date Type Details