5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 7
Composed by Lucinda J Woodward
2314567890E 1 6 7 9 10 18 19
3214658709E a
143265 – – –
142365 s –
231465 – – –
234165 s 2
412365 – – –
413265 s –
324165 – – –
43216578E90 b
214365 – – –
213465 s –
342165 – – –
341265 s 2
123465 – – –
124365 s –
431265 – – –
2413657890E c
132465 – – –
134265 s –
421365 – – –
423165 s 2
314265 – – –
312465 s –
243165 – – –
32416587E90 d
213465879E0 s s –
342165 – – –
341265 s –
123465 – – –
124365 s 2
431265 – – –
432165 s –
214365 – – –
(2143658709E) –

a = s1.2.3.7.8.s10.12.13.s15.s21
b = s1.7.s10.13.17.19.31 (32)
c = 9.10.s13.s16.22
d = 7.s10.13.17.19.31 (32)
23 56s (0f,23b), 24 65s (0f,24b), 100 4-bell runs (26f,74b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
85
   90E SE Single (s)
23
Performances
Date Type Details