5007 Stedman Cinques

Layout
5007 Stedman Cinques Op. 5
Composed by Lucinda J Woodward
2314567890E 2 6 15 19
31246587E90 a
214365 – 2
413265 – 2
314265 – s
412365 – 2
215364 – 3
2143568709E b
413256 – 2
312456 – 2
312654 s –
31425687E90 – s –
412356 – 2
213456 – 2
312456 – s
214356 – 2
416352 – 3
4123658709E b
213465 – 2
314265 – 2
413265 – s
312465 – 2
2143658709E – 2

a = 2.5.7.8.s10.13.14.16.s18.20 (20)
b = 2.5.s9.14.15.18.19
17 56s (0f,17b), 9 65s (0f,9b), 81 4-bell runs (10f,71b).
Blue Line
Properties
Structure
  • Backstroke start
  • Mid lead start
  • Mid lead finish
  • Variable hunt
  • Variable cover
  • Palindromic
  • Exact multipart
Methods
  • Spliced
  • ATW
  • Mixed stage
  • Change every lead
  • Every lead different
  • Jump method
Calls
  • Standard calls
  • Twin bob
  • Jump calls
  • No calls
  • Tenors together
  • Strictly tenors together
  • Multipart calling
Changes
  • Adjacent changes
  • Identity changes
  • Jump changes
  • Pure changes
  • Touching places
  • Tenors reversed
Truth
  • True
  • Round block
  • Single extent block
  • Multi-extent block
  • Repetition between calls
  • Internal rounds
Number of parts
1
Number of methods
1
Changes of method
0
Stage
Cinques
True rows
5007
False rows
0
Complete extents
0
Partial extents
1
Applicable leadhead codes
Date composed
Default calls
Stedman
Types of call
2
   9 SE Bob (–)
70
   90E SE Single (s)
9
Performances
Date Type Details